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My
first impression about Mme. Komaki's painting was almost akin
to nostalgic sense.
She has visited Europe for skating to Italy, Spain and French
etc., and her motifs ; European landscapes and still lives recollected
me some memories of French pastoral spectacle, especially Monet's
memorial park in Giverny.
But her expression style is not copy of the idiom of Inpressionoism
in 19th.
For instance, her drawing tuch is sometime stronger than not
only old Impressionists but also Post-Impressionists.
It seem she want to exclude sentimentalism, in other words
she tries to draw out the pure consiousness about subject by
phenomenological meaning which have priority over visible fact
and direct emotion from the subject.
Such a stance is in contradistinction to artists who adore beauty
of the nature and seek to fix it on the canvase, and /or seek
to create microcosmos of the nature. Consequently, her painting
can acquire dynamic extensivity free from the frame.
But Mme.Komaki is not a methodologic
artist. Her expression is always spontaneous, and her motivation
always happen in the natural beauty.
The most important thing is, her passion is changed sophisticated
and coolness emotion on the canvas through her aesthetic eyes.
Her paintings which are imbued with glowing light and shade
give us various images.
1959 Graduated Ocyanomizu Women's Univ. in Japan
1982〜 Member of Realism Painting Circles in Japan
1986〜 Exhibition at Bungei-Syunjyuu Gallery, Chiba Sogo Dept.
Gallery, Ginza Mitsukoshi Dept. Gallery, Ginza Printemps Dept.
Gallery etc.
Hideho
Kobayashi
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